The base to stories in 3 steps

There was a time I would just sit and stare at a note book, pencil or pen. Hours would go by and I would have completed five words. Five whole words. Once a pond a time... I was doing something wrong. But I had all these great ideas running around my head but. I just didn’t know how to get it out! So spent some long years cultivating my skills as a writer. Until one day people started giving me many complements for a story I wrote for school in 8th grade. All my class mates were like “Wow, where the heck did you pull that from?”, “It’s like you wrote a mini novel.” Heck my teacher liked it so much that to took it home and read it to her full grown son and his girl friend! A year later, I wrote another story for school and this time one of my class mates told me my story should be a movie. Why thank you Lars! And I though you did’t like me. Eventually I summited it to a writing contest and was picked as one of the 30 winners out of hundreds. So I guess I was doing something right. Okay, so last week I posted up a story I wrote, Fort 64. Hoped you liked it. At any rate, the reason way I blogged it was to get you all to fav it use it as an example. When you want to make a story, there are many ways that people advise you to make one. But in my opinion, they can get just plane confusing. So I’m going to try and tell you the three simpler steps that I use to write stories. Who knows? It might actually help.

Step #1 | Settings  

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You may not ignore these two for they are the bread of the story sandwich

In oder for your world to seem alive and real to a reader, it’s important to tell them where everything is going down. In my story, Fort 64, the story is set in a post- apocalyptic era, in the city of LA. Depending on the things you pick for time and place, determine what you can make possible in your world. Star Wars for example. Distant future with interstellar wars throughout the galaxy. Things like space fighters and light sabers make sense in that kind of setting. But A light saber wouldn’t make much sense in the Victorian era. But you could make an air ship possible if it were Steampunk Victorian era! Go steam power!

If you don’t want to spit out a time or place specifically, then hint at it. Show the reader with details of the surrounding, with the slang the people might use, so one so forth. Be creative, think of stuff.

Step #2 | Characters

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Obviously your story needs them characters to tell or act out the world you have so skillfully created for them. I personally, when I’m creating characters, I think it’s best to determine a few key points to start with. Take Raven from Fort 64. I started out with her simply being the medic that was a bit disorganized. From there, considering her time and setting in the story, I worked out the finer points of her character. Loyal, caring for her friends, slightly derpy. The other characters developed in the same way. Finn and Brick started off as just space fillers kinda. I just saw I need more people for the story. But they turned into Finn the funny, slightly smart ass guy that may or may not have had a thing for Raven, while Brick became the big bad wall of badass.

If you’re going into novel sized stories, you may want to start thinking of personal backgrounds on your characters. Things that happen in people’s past can really effect and explain why and how they act in the present. Why the bad guy is the bad guy, why the hero does what he’s doing. This happens in real life, so it should also apply to the fictional world as well. A well rounded character should never brake character and do something OOC. They should always sound like how you created them to be by what they say or do, not you stating what they are.

Step #3 | Situation 

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WHATS GOING DOWN

You know something brilliant or terrible is about to happen when John Crichton from FarScape starts acting like a lunatic. What’s going on to make this madness happen? Let me tell you. There was an evil alien making everyone loss their minds slightly with some weird light he’s making on board their spaceship. That’s the situation. Alien is doing bad stuff to my ship. I need to stop the alien from doing the bad stuff to my ship so I’m going to go stop him. You need that back bone for your story to work.

What is today’s problem and how am I going to fix it? Take the Hunger Games for instance. Main characters sister is selected for the deadly game. To fix this, main character takes sisters place to save her. From there it’s a fight for survival. Entire book summed up in a nutshell. Same thing for my own story. They need medicine. A group goes out to find some. And they have to make to back home. Whole issue of the story right there. After you get the back bone in place, you can start playing with the fun little details, all the in between stuff. But I wanna make the details firs—No, no, and in case you didn’t read it the first time, NO! Details are the in-between events that happen around the real one. They’re just there to give the story flavor, but like food, your food don’t need to be favorable to keep you alive. First you must pick a plot that will keep your readers alive, then you can add all the extra spices that make it taste yummy!

Without these things, your story is a house built of cards. If I blow on it, it breaks. You need a strong base to keep every thing stable. A well made time and place, believable characters, and situation that takes your readers on an adventure. Then you will have a house of solid story stone.

Have a fabtabulous day.

Story Time: Fort 64

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Today I’m going to enlighten you with this lovely story I wrote back in the 8th grade. It’s a short science fiction.  Crazily enough, this was a school assignment.  Next week I will go into detail as to why I decided to post this. Until than, enjoy the story. (>^_^)>


I’m startled from sleep by the blaring of a siren. I sit-up quickly, thinking that we might be under attack. I end up smacking my head on the bottom of the bunk above me.

“Nice one”, says a voice off to my right. I look over in that direction, and whom do I see? Finn Hex, with his dirty blond hair and electric blue eyes, is smiling down at me with that cocky grin of his. “Raven,” he says to me. “I think that you now can be called the champion of hitting your head against inanimate objects. This is the fourth time this week.”

“Real funny,” I reply, scowling at him. The action only makes his grin bigger.

Remembering the siren I ask. “What’s up with the siren, is there something wrong?”

“No,” he replies. “The only thing wrong is that you’re going to be late for the Run, AGAIN! That siren you just heard was the assembly alarm for today’s teams. Remember?” My only response to this is a blank stare. “I came to get you that’s why I’m here,” he prompts slowly. I look at him stupidly for a few more seconds. Then my still half asleep brain makes sense of his words.

“Damn it!” I mutter to myself as I jump out of bed. “Okay. Give me five minutes to get ready,” I tell him. “In the mean time, can you get out!” He shrugs and leaves the room smiling. I make a beeline for my very small restroom to freshen up. I splash cold water onto my face to make myself more alert. I dry my face with an old dingy towel. After that I study myself in the mirror. The reflection who stares back at me has dark brown skin, curly black hair, cut close to her head with bangs that come down to the shoulders, dyed red, and a pair of crystal blue eyes. This is me, Raven Shohona. I’m twenty-six years old and I live in Fort 64.

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